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Beverley Bennett

Beverley Bennett is a Birmingham and London based artist-filmmaker whose work revolves around the possibilities of drawing, performance, and collaboration. Grand Union and Bennett worked together from 2019 to 2023, a collaboration which culminated with the 2023 exhibition, ‘Simon Says/ Dadda’.

A landscape image of Grand Union Gallery. Three projector screens stand in a row against the wall of a dark room. The left-hand screen shows jean-clad legs standing in an allotment, the centre screen shows an older man and younger girl sitting side-by-side at a dining table with strained faces, and the screen on the right shows black text on a white background. There are bean bags on the floor in front of the screens.

Installation view of ‘Simon Says/ Dadda’ by Beverley Bennett at Grand Union Gallery, Birmingham. Image by Patrick Dandy, 2023.

Comprising a newly commissioned 3-channel installation, Simon Says/Dadda was a collaborative project exploring father/daughter relationships among Black and Asian women and non-binary individuals, highlighting the deep impact that structural inequalities have within wider society.

Working in partnership with Metal, Liverpool, LUX, London, and The Newbridge Project, Newcastle, Simon Says/Dadda is an ambitious large-scale film project developed through a series of gatherings across England, bringing to light stories that are currently not represented in the visual arts space.

Comprising three core parts, ‘Simon Says/Dadda’ brings together numerous elements; gatherings, testimonies, collaboration, and community, of Beverley’s practice within the same body of work. Working over a longer period of time to allow for deeper connections and evolutions to manifest, the work has drawn together mediums that previously have been kept separate, to generate a whole.

With an imperative to look after visitors and participants, the artist provides a grounding experience before introducing the main components of the work. You are invited to take a moment before entering, to gather thoughts and take time. 

The exhibition title references patrilineal relationships, with ‘Simon’ being the artist’s father, and ‘Dadda’ the grandfather on her mother’s side; ‘Dadda’ is also used as a term in Patois (the Caribbean/Jamaican dialect) to reference ‘Father’. Looking at intergenerational legacy and father/daughter relationships, it is these affinities that form the foundation for the show and is the mainstay of the 3-channel installation, exploring familial love languages.

Stemming from a desire to highlight Black and Asian women as well as non-binary individuals and their experiences to counter the historical silencing of their voices, ‘Simon Says/Dadda’ includes the direct testimonies of a number of these individuals, collected via gatherings across the UK, sharing their own stories.

A landscape image of Grand Union Gallery. Three projector screens stand in a row against the wall of a dark room. The left-hand screen shows jean-clad legs standing in an allotment, the centre screen shows an older man and younger girl sitting side-by-side at a dining table, and the screen on the right shows black text on a white background. There are beanbags on the floor in front of the screens.⁠

Installation view ‘Simon Says/ Dadda’ by Beverley Bennett, Grand Union, Birmingham, 2023. Image by Patrick Dandy.

Developed in 2018, Beverley coined the term ‘gatherings’ to denote a methodology that differs from the more hierarchical model of the workshop; one person leading and sharing information, with participants taking part in the activities. Instead ‘gatherings’ are cyclical, whereby everyone learns from each other and often formulate in myriad ways, from reading together to gathering at a party. This has created a ‘tapestry of voices’, an interweaving of communalities and differences that provide a broader view, an important part of amplifying intergenerational relationships. 

Underpinned by a newly commissioned soundscape by Trevor Mathison, ‘Simon Says/Dadda’ is supported by a crew who the artist has worked collectively with from ideation development through to installation. The work pays homage, as so much of Beverley’s work does, to intergenerational voices and collaborations.

Credits

A film by Beverley Bennett

Dining Room

Actors:

Mother – Mabowuje Harrison

Daughter – T’yarnna Johnson

Son – Tyrique Douglas

Father – Courtney Gabbidon

 

Crew

Director of Photography: Arushi Chugh

Editor: Bhulla Beghal 

Sound Designer: Trevor Mathison 

Set Designer: Fabrice Millet

1st AD: Lauren Gee

1st AC: Todd Franklin

2nd AC: Chris Keenan

Gaffer and Spark: Seb Kudanowski 

Sound Recordist: Alexander Rhule Martin

Make-up Artist: Michelle Edgar

Colourist: Cam Sander at Dan Moran Colour

Stills and BTS Photographer: Kate Green

 

Allotment 

Contributor: Simon Bennett 

Crew

Director of Photography: Chris Keenan

Pick Ups: Sima Gonsai

Runner: Elishah St Juste

Location Scout: Pip Piper

Production Supplies: Mediadog

Film Studio: Birmingham Film Studio

Insurance: Performance Film and Media

Catering: Khandi Catering and Popz Kitchen

 

Therapist for Gatherings: Lema Daley

 

Producers:

Beverley Bennett

Lauren Gee

Sima Gonsai

 

Directed by Beverley Bennett

 

Commissioned by Grand Union, Birmingham, Metal, Liverpool, LUX, London, The NewBridge Project, Newcastle

Generously supported by Arts Council England and The Elephant Trust.